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Namaskar
Namaskar or Namaste is the most popular form of
greeting in India. It is a general salutation that is
used to welcome somebody and also for bidding
farewell.
While doing namaskar, both the palms are placed
together and raised below the face to greet a
person.
It is believed that both the hands symbolise one
mind, or the self meeting the self. While the right
hand represents higher nature, the left hand
denotes worldly or lower nature.
Other common forms of greetings by various
communities and regions in India are - Sat-sri-akal
by the Sikhs, Adaab by the Muslims, Vannakkam
by the Tamilians, Juley by the Laddhakis and Tashi
Delag by the Sikkimese, amongst others.
Tilak
Tilak is a ritual mark on the forehead. It can be
put in many forms as a sign of blessing, greeting
or auspiciousness.
The tilak is usually made out of a red vermilion
paste (kumkum) which is a mixture of turmeric,
alum, iodine, camphor, etc. It can also be of a
sandalwood paste (chandan) blended with musk.
The tilak is applied on the spot between the brows
which is considered the seat of latent wisdom and
mental concentration, and is very important for
worship. This is the spot on which yogis meditate
to become one with Lord Brahma. It also indicates
the point at which the spiritual eye opens. All
thoughts and actions are said to be governed by
this spot. Putting of the coloured mark symbolizes
the quest for the 'opening' of the third eye.
All rites and ceremonies of the Hindus begin with
a tilak topped with a few grains of rice placed on
this spot with the index finger or the thumb. The
same custom is followed while welcoming or
bidding farewell to guests or relations.
Arati
Is performed as an act of veneration and love. It is
often performed as a mark of worship and to
seek blessings from God, to welcome the guests,
for children on their birthdays, family members
on auspicious occasions or to welcome a newly
wedded couple.
For performing Arati, five small lamps called
niranjanas are filled with ghee or oil and arranged
in a small tray made of metal. A wick is made out
of cotton wool and placed in the lamps. A conch-
shell filled with water, auspicious leaves or
flowers, incense or lighted camphor are also
placed in the tray. The lamps are lit and the tray
is rotated in a circular motion in front of the deity
or the person to be welcomed.
The purpose of performing arati is to ward off evil
effects and the malefic influence of the 'evil eye'.
Garlanding
Flower garlands are
generally offered as a
mark of respect and
honour. They are offered
to welcome the visitors
or in honour to the Gods
and Goddesses.
The garlands are
generally made with
white jasmine and orange
marigold flowers.They
are weaved in thread tied
in the end with a help of a
knot.
Bindi
A bindi is an auspicious mark worn by young girls
and women. Bindi is derived from Bindu, the
Sanskrit word for dot. It is usually a red dot made
with vermilion powder which is worn by women
between their eyebrows on their forehead.
Considered a symbol of Goddess Parvati, a bindi
signifies female energy and is believed to protect
women and their husbands. Traditionally a
symbol of marriage, it has also become decorative
and is worn today by unmarried girls and women
as well.
No longer restricted in colour or shape, bindis are
seen in many bright colours and in different
shapes and designs. They are also made of
coloured felt and embellished with coloured glass
or glitter.
Essential Ornaments
Nose Pin
Many Indian women wear
a pin on their nose studded
with stones, called a nose
pin. A symbol of purity
and marriage, the nose pin
is today adorned by many
unmarried girls as well.
Mangalsutra
Is a necklace made of black
beads, worn only by the married women as a
mark of being married. It is the Indian equivalent
of the western wedding ring.
The mangalsutra is tied by the groom around his
bride's neck.
Mangalsutra is generally made out of two strings
of small black beads with a gold pendant. The
black beads are believed to act as protection
against evil. The married women wear this to
protect their marriage and the life of their husband.
In southern India, the mangalsutra is called 'tali'.
It is a small gold ornament, strung on a cotton
cord or a gold chain.
Shakha-Paula
Are a pair of shell (shakha) and red coral (paula)
bangles worn as marriage symbols by the Bengali women.
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